Les Dawson

As performers grow older, I reckon there are two ways they can go. They can either be up there, playing more deeply from their guts than ever, or they can be phoning it in so crassly that it leaves a lump in your throat as you leave the venue at the end of the show.

At my first library job, I worked with a woman named Sheila Brownstein, who was The Reader's Advisor. She was a short, bosomy Englishwoman who accosted people at the shelves and asked if they wanted advice on what to read, and if the answer was yes, she asked what writers they already loved and then suggested somebody new.

You make your first album, you make some money, and you feel like you still have to show face, like 'I still go to the projects.' I'm like, why? Your job is to inspire people from your neighborhood to get out. You grew up there. What makes you think it's so cool?